-
I am unsure exactly what this is, other than "interesting". Who's in?
-
It's another Big Picture link. You know it means there are pretty things, so why are you still here reading this text? Get on with the clicking!
-
I think I may send this one to my boss, all our clients, and really, anyone who thinks that a simple feature that can be summed up in a sentence of English must therefore be easy to add to any program. "It's just a single field to do X" is almost never "just" anything.
Author: Alasdair
Re: Gothic London: City of the Deranged and Disorderly Dead
Minimal interest to most of you, but there were a few “I’m interested” comments on yesterday’s post. I’m afraid that when I went to book at around 11pm last night, the ticket site they linked to only had two tickets left, so while I did buy both of them, my spare is going to sparksoflight since she was the one who actually pointed the event out to me, and fair’s fair, after all.
Yesterday’s link yesterday does contain a phone number, if you want to try the box office yourself, and see if it’s just that the site had a tiny allocation. Sorry I wasn’t more helpful/organised/swifter.
On The Failure Of Recommendation Engines
Greetings from Amazon.co.uk,
We’ve noticed that customers who have purchased or rated books by Bill Drummond have also purchased The Economics of Large-value Payments and Settlement: Theory and Policy Issues for Central Banks by Mark Manning. For this reason, you might like to know that The Economics of Large-value Payments and Settlement: Theory and Policy Issues for Central Banks will be released on 1 August 2009.
I think perhaps some smarter author matching in in order. Either that or Zodiac Mindwarp is branching out in some really odd directions, and proving unexpectedly capable of taking his fans with him. I suspect the former, and Amazon have made it sound like the latter, but I really don’t believe that very many people (like me) who read books with title like “Get Your Cock Out” are hugely interested in “The Economics of Large-value Payments and Settlement”. Oh dear, Amazon.
Links For Thursday 30th July 2009
-
A talk in December. Anyone interested? Speak up sharpish, because every time I see one of these things, it sells out before I get round to buying tickets, and that's not happening this fucking time, so if you want me to grab you a ticket, speak up bloody quickly.
-
Superb encapsulation of the impact of meetings on two differently scheduled kinds of staff. Should be required reading for all managers, as it will help them understand why the makers they need to meet with are often resistant to the idea of another meeting.
Links For Friday 24th July 2009
-
Please, pass this link around. It's worth doing. Reblog, re-tweet, pass it on to your friends so they can do the same. If you are a geek or a nerd of any stripe, you should be aware that some small fraction of the money you spend on entertainment media is going to fuel homophobia (if you're giving money to companies that are then giving money to an operation that is fuelling homophobia, then yes, that *is* what is happening), and that this should be stopped. And unless they are publically shamed, then there is no reason for companies like Marvel to grow a spine. So you should circulate this link.
-
It does exactly what it says on the tin. I have no use for this, but I love that it exists.
-
Watching this, I had to keep reminding myself that he's a politician, and that his words are unlikely to be backed up by action, that he's not going to be called on the content of this speech, and that he has teams of people whose job it is to help him seem engaged, aware and generally serious about the world. Still: this is a good speech, talking sense, and it's quite nice to see him saying things I agree with 100%.
Links For Thursday 23rd July 2009
-
"We can categorically state that we have not released man-eating badgers into the area." I am saddened to hear that. All wars should be fought by man-eating badgers.
-
Awesome artist who, well, he camoflages himself, which doesn't sound that exciting, but serious, go look. It's ace.
Links For Wednesday 22nd July 2009
-
Really quite a good quickstart – cleared up a few things for me, at any rate.
-
Phil's photos from the other night – them as dressed up and made an effort will probably find better shots of themselves in there than anything I've managed to get, but at least *someone* managed to get some good photos. There's even one or two of me here that I like. Cheers, Phil.
Dr Nightmare’s Waltz

Oh, where to start with the “barely acceptable”? I wanted the dreamlike quality, I wanted the blur – slightly less blur would have been good, but we can’t have everything. What I would also have liked was the ability to frame the shot better, and to be better at retouching in photoshop, and more talent, and a pony. But this is what I got, and it’s just about close enough to OK to put it online.
Links For Tuesday 21st July 2009
-
Nice to know that I live in the the most-watched part of the most-watched city on the planet. I feel so safe. Oh, wait, that's not safety, is it?
Taking The Plinth
So, I was on the 4th plinth in Trafalgar Square as part of One and Other last night. You all know this, because I’ve done nothing but bang on about it for the last week or so. What you may not know is that before people go up on the plinth, they are photographed and an interview with them is recorded, and I am no exception. The interviewer asked a number of questions about basically who I am, what I am doing with my life, what my hopes for the future were, and what I hoped to get out of my time on the plinth. Who I am, and my hopes for the future proved remarkably tricky. I think I may have muttered something vague about hoping to take more photos, and maybe one day even earn a bit of money from them. Really, I have no idea who I am, what I’m doing, or what I want out of life.
What I wanted from the plinth, though, that I was ready for.
I am a Londoner. It was one of the three words I used to describe myself on my profile on the One and Other website. I am also a terribly pretentious bastard. So I trotted out all the rubbish you’d expect, about getting the public involved in art, being connected to London, and that sort of thing. Said that while I know it’s hardly charity work, or anything worthwhile like that, it’s a little way of giving something back to the city I love. Blah blah blah, so far so boring.
That’s all by way of preamble. Because, you see, in all the media write ups, or blog and twitter commentary, whether they’re praising the project as a fantastic way to get the public involved in art, or damning it as revealing the banality of the British public, I have yet to see any one that stopped stroking their chin long enough to talking about what it’s like to be up there. So here goes.
I often say that I love London, and I joke about the fact that I don’t leave it much. This isn’t just a figure of speech. It’s not just a joke. I am absolutely head-over-heels besotted with the place I live. Even on the bad days, when it’s 35 degrees on the tube at rush hour, and I’m pressed up against a bloke who thinks that personal hygiene is something for girls and sissies, and the driver comes over the loudspeaker to tell us that someone’s just jumped under the train ahead, and we’re stuck here for the next half hour, there is still nowhere else I would rather be. I stand there, the sweat trickling down my back, and all I can think is “only in London do you get shit like this” and I smile, and relax, and I feel better. I am a full-on hopeless case for London, its sights, sounds and smells, its past, present and future. London is the place where the magic fucking happens.
And you can all stop looking at me like that, because I can now prove it.
Here’s the thing that the write ups of the plinth don’t tell you. It’s fun. It’s a little slice of sheer bloody London magic. There is nowhere else in the world where a night like I had last night could have happened.
I expected to get up there with my camera and tripod, and arse about for an hour. That’s exactly what I did. In any circumstance, arsing around with my camera for an hour makes me happy. I expected some of my family and friends to turn up, and they did. In any circumstance, my family and friends make me happy.
I am groping for the words to describe it. “Greater than the sum of it’s parts” is meaningless if I can’t adequately convey the parts.
So: there I am, a bloke in a white suit, standing spotlit in the middle of London on a summer night, clutching a camera. This was the least important part of the night – the silly outfit, and what I was doing didn’t matter very much to me. The absolute joy for me was seeing my friends turn up, whether they were in their regular clothes, or in a variety of weird and wonderful outfits, watching people who I know hadn’t met before, or who had only met in passing talking to one another and laughing, or getting texts, phone calls, and yes, twitter messages from friends who were watching around the world, watching the conversation that happened around the fact that I was on the plinth. That sounds kind of egotistical, I know, but it’s not the sense I mean it in – I’m not someone who is entirely comfortable being the centre of attention – but passing messages from London to Toronto was not something I’ll forget in a hurry. There simply was a really marvellously warm and friendly vibe about the whole experience – not just from my friends, but from the members of the public who were passing by who got involved, posing for photos and shouting up questions and comments – there was a lot of smiling and laughing going on in Trafalgar Square last night. Like I said: a slice of pure London magic.
I had hoped to come down from the plinth with a few good photos, and maybe some new thoughts on London and life in general. I come down with all of those things, but I did not expect to come off the plinth thinking “that was fun, I want to do it again”. And yet that’s exactly what I did.
So the next time you see someone spouting off about how the people up there are boring, or how the project isn’t really art, or anything like that, tell ‘em to fuck off. The experience made me think, and was emotionally affecting (it may not have been deep, but if it raised a smile, then that counts) not just for me, but for the other people in the square, and watching over the internet (at least to judge by the response I had had from friends), and if that’s not Art, I don’t sodding know what is.
Well bloody done, Anthony Gormley. And thank you for the opportunity. And, at risk of turning this into some ghastly parody of an acceptance speech, thanks to all the people at Artichoke, who made it happen, and most especially thank you to all my family and friends who turned up in person or on the internet, because it was absolutely you lot who made it a thing worth doing, and if I have learned nothing else from from last night, then I have been reminded how fortunate I am to know you all.